I’m looking forward to attending an informal launch for Modern Futures, for which I’ve written a reflection on William Mitchell’s Harlow water fountains, at King’s College London on Wednesday 16 November from 6.15pm-8pm.
The event is free and will feature brief introductions to the chapters by some of the contributors. Book online at www.eventbrite.co.uk/e/modern-futures-book-launch-tickets-28757715100.
I’m really looking forward to reading this, as I’m reading and thinking a lot about questions of landscape and everyday experiences and knowledge of the world, at the moment, and what it means to ‘represent’ landscape, places and experiences.
John Berger – Landscapes (Verso)
In the middle of an ordinary page, right in the middle of this collection, John Berger states that ‘stupid people often accuse Marxists of welcoming the intrusion of politics into art.’
It is one of those wake-up moments John Berger is so good at providing. He goes on to explain that these intrusions are painful and often have great suffering at their roots. Even Marxists do not welcome these into their contemplations. As a counterpoint, he then describes Picasso, staying at the Savoy in London, as a successful enfant terrible, no longer seeing the poor at café tables.
What Berger has done, persistently, from every angle, all his long life, is explore how our windows on the world are constructed. He questions what they engage with, edit out and why.
If we look at ‘English landscapes’ from the late 18th century, they are made…
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