One of the sculptors who exhibited most frequently at Pictures for Schools was Ghisha Koenig, who contributed reliefs and sculptures inspired by factory work, labour and movement, as well as a maquette for a work in St John’s Church in Earlsfield, London.
An exhibition at the Henry Moore Institute displays some highlights of her work, as well as the sketch books and large-scale drawings on which they were based, which entailed hours of observation in local factories. Like other sculpture displayed at Pictures for Schools, Koenig’s sculptures are small in scale. They depict both workers and machinery; materials and products, from paper to expanses of tent fabric, delicately represented in sheets of bronze, are as prominent as the workers themselves, who are often presented as just one among many, sitting in uniformed rows and all engaged in the same repeated sets of movements.
Like many of the artists at Pictures for Schools, Koenig’s work was drawn from a narrative, realist tradition, depicting recognisable places and activities in an accessible, relatable style grounded in close observation and everyday life.
Ghisha Koenig: Machines Restrict their Movement is at Henry Moore Institute, Leeds until Sunday 13 August. For more information visit www.henry-moore.org/whats-on/2017/05/25/ghisha-koenig-machines-restrict-their-movement.